Showing posts with label Ziggy Marley. Show all posts
Showing posts with label Ziggy Marley. Show all posts

Sunday, July 3, 2022

SHELAH MOODY JOURNALIST, MUSIC HISTORIAN PAYS TRIBUTE TO TABBY DIAMONDS


Nine Night for Tabby Diamond

By Shelah Moody


     The following tribute is called “Nine Night for Tabby Diamond.” Tabby’s daughter, Josheina Shaw, asked me to give tribute to the lead singer of the Mighty Diamonds, my longtime friend and client, at his Celebration of Life tribute at Ranny Williams Event Center on May 20, 2022 in Kingston, JA.  

https://youtu.be/h_sPMiUsk2E









       On March 29, Donald Orlando “Tabby Diamond” Shaw, 67, was shot and killed outside his home in Kingston. At press time, Shaw’s killers have not been caught. In a cruel twist of fate, another member of the soulful reggae harmony trio known for hits such as “Shame and Pride,” “Pass the Kutchie ” and “I Need a Roof”—  Fitzroy “Bunny Diamond” Simpson, died after a long illness on April 1. Simpson was 70. Lloyd “Judge” Ferguson, the remaining member of the Mighty Diamonds, wrote 95 percent of their songs and is the keeper of the group’s legacy.


*In the Caribbean, a nine night celebration is similar to a second line tribute in New Orleans. Loved ones of the deceased gather to pay tribute with food and drink, music and stories of the beloved. 






     My name is Rani Shelah Moody and I’m a journalist and music historian. For several years, I’ve worked for the Mighty Diamonds as a publicist and assistant. 

     I first met Tabby in the summer of 1995 when the Mighty Diamonds  performed at the Sierra Nevada World Music Festival.  

     I saw Tabby sitting at a table by himself backstage. I called him over to the table where I was sitting with my friends and asked if I could interview him for Reggae Report magazine. Tabby called Bunny over and asked him to do the interview with the nice lady. Then, he pulled down his shades, put his feet up and listened while Bunny and I talked. 

     I told Tabby that I’d seen the Mighty Diamonds perform earlier that year at Slim’s nightclub in San Francisco, and I thought his voice was amazing!

    “Yeah mon, give thanks, he said.

      Tabby was so humble! 

      After the Sierra Nevada show, we all sat at the table talking and laughing well into the night. 

   Tabby had that it factor.

      You know that scene in Michael Jackson’s “Billie Jean” video where he passes a homeless man on the street, tosses a coin in his cup and  transforms his ragged clothes into a fine suit? Well, such was the magic of Tabby Diamond.    

       With his ebullient gap tooth smile and warm personality, Tabby could turn a gloomy day or an average day into an extraordinary day. Even Ziggy Marley looked at him and said “My heart is full” when I took the Mighty Diamonds to Tuff Gong studios in Los Angeles in 2019.

      I met Tabby at one of the lowest points in my life. The year 1995 was a dark season for me. My grandmother died, then my dad died of a drug overdose. I was broke. Depressed. I 

struggled with self worth.

     Tabby’s  recordings, live shows and personal words of encouragement lifted me up and gave me the strength and courage to trod on.  

    Tabby was kind. I remember telling Tabby that I felt alone in the world when my father died. Tabby told me that I was not alone because the father, God, was always with me. 

      Soon, the Mighty Diamonds became my favorite group. I bought all their music and went to all their shows and interviewed them whenever they came to town. I told everyone I knew about the magic and the soul of Tabby and the Mighty Diamonds. 

      I wrote about and reported on the Mighty Diamonds so much that the group soon asked me to be a part of their public relations team. In 2007, I went on tour with them for the first time to see what it was like.

     That’s when I really got to know Tabby, Bunny and Judge.  You can read about our adventures on my social media pages. We traveled in busses and vans that sometimes lost their air conditioning in the summer and their heat in winter. Once,  I offered to do the band’s laundry on one of the stops in Texas. Imagine my shock when I discovered I’d accidentally thrown in a red shirt in the washer and turned all the clothing pink!

      Tabby was a consummate professional.

      I remember, one night in Seattle, Tabby came down with a bad cold. We knew something was wrong because he was very quiet, and coughing heavily. He had a fever. He was wrapped in a blanket in the back of the bus. I was worried about his health; it was snowing in Seattle and he seemed to have only a light jacket.

    I told the tour manager; I think the lead singer is sick… maybe he shouldn’t go on stage. He can barely talk.  

       “Don’t worry about it,” the  tour manager said.  “Tabby will let us know if he’s too sick to perform.”

      Sure enough, Tabby went on stage. He did not want to disappoint Bunny and Judge or his fans. Perhaps only I could tell he was not feeling well. Though his lungs were congested and his body ached; he sang through the pain. “Party Time.” “ Poor Marcus.” “ Have Mercy.”

     Then, it was time for his signature song. “I Need A Roof.”  I held onto my seat. Tabby reached for that one perfect note. You know it. 

     You know the high note that Phillip Bailey sings on the refrain of Earth Wind and Fire’s “Reasons?” That one crystal note Russell Thompkins  Junior of the Stylistics sings on the chorus of “Betcha By Golly Wow?”

        Tabby reached for the note, but his voice did not peak; it crescendo, then plateaued and then beautifully flowed into the next verse. I exhaled. I was awestruck! That’s when I knew Tabby was one of the most skilled voices in the industry. Perfection. Tabby knew what soul was all about. I dubbed him the master of melody.

          More than anything, Tabby valued family and community. On the road; Tabby would tell stories about Fanny and children  and grandchildren and the folks in his community in Kingston. At the end of each tour, he’d load up at Target and other stores with gifts to take home to his family. Once he had me help him look for a christening gown for his new granddaughter. Tabby loved to cook on the road  and watch videos and smoke and laugh with his Jamaican and American brethren on the tour. 

      Tabby told me that one of his fondest memories growing up was eating sugar cane with his father in the moonlight, 




    On Feb. 1, to celebrate my birthday and the birthdays of vocalists Pam Hall and Rica Newell; I hired Tabby and Judge to sing at our virtual Zoom party. https://youtu.be/tlw8NOq-GtE

Tabby’s beloved daughter Josheina helped  her father log on to the Zoom link. It was the best birthday ever. Tabby and Judge sang for us and told stories. The whole day, we were  calling and texting each other saying how uplifted Tabby and Judge made us feel. 

     The Zoom was so successful that I had the idea to pay Tabby for private Zoom voice lessons. Wouldn’t that had been grand? The Mighty Diamonds had many projects in the works, including a new album and a gig with Ziggy Marley in the Dominican Republic. 

    Here’s the thing about losing our friends. We can only hope that when they leave us, we become better people because of the lessons they taught us. As the saying goes, Diamonds are forever.  Tabby, I will miss you in this earthly  realm, but your beautiful presence still lingers; it’s reflected in your music, your family and your community. 

      Donald Orlando, Tabby Diamond Shaw, OD, I will always lift you up!


Related links: Celebration of life for Fitzroy “Bunny Diamond” Simpson:  https://youtu.be/lAU11FrxOvo


https://www.nytimes.com/2022/04/03/arts/music/mighty-diamonds-dead.html


https://youtu.be/TGHJ80cB67A











Wednesday, December 6, 2017

Titans of Music Celebrate 40th Anniversary of Bob Marley’s “Exodus” Album


By Shelah Moody





Ziggy Marley and Tom Morello 



Photos Courtesy of Tuff Gong Worldwide, copyright 2017

On Nov. 1 at the Orpheum Theatre in Los Angeles, titans of reggae, rock, R&B, blues and New Orleans funk joined Ziggy and Stephen Marley in an all-star celebration of the 40th Anniversary of Bob Marley and the Wailers’  “Exodus” album.
 Released in June, 1977, “Exodus,” inspired by the 1976 assassination attempt at Bob Marley’s Kingston, JA home, which led him to leave Jamaica and take refuge in England, was hailed by “Time” magazine as the album of the century.
 The sold-out Exodus 40 Live concert was orchestrated by Bob Marley’s eldest sons, multiple Grammy winners Ziggy and Stephen Marley, in collaboration with bassist/producer Don Was.



Stephen Marley and Cyril Neville 

  They put together a true movement of Jah people; a revolutionary dream band featuring Cyril Neville (Neville Brothers) on percussion, Terence Higgins (Dirty Dozen Brass Band) on drums, Ranoy Gordon and Lamar “Riff Raff” Brown (longtime guitarist and keyboardist for Stephen Marley), organist Ray Angry  known for his work with Christina Aguilera and Ja Rule) and Peter Stroud (known for his work with Sheryl Crow and Don Henley) on  lead guitar.



Aloe Blacc

 Each of the special guests on the Exodus 40 Live bill brought their own interpretations of Bob Marley’s music to the stage, some smooth and charismatic like Aloe Blacc’s version of “Waiting in Vain” and some introspective, like Jim James version of “Turn Your Lights Down Low.”
In one poetic moment, Stephen stood behind Cyril Neville and played the electric guitar as Neville sang the lyrics of Bob Marley’s “Guiltiness” in his raspy, wisdom-soaked voice.
“Whoa to the downpressor/they’ll eat the bread of sad tomorrow.”
Decades before “Exodus” was produced, Jamaican artists drew inspiration from the New Orleans R&B and blues artists they heard on the radio, hence, the evolution of reggae music.
In another poetic moment, Stephen and Ziggy rocked their electric guitars as Citizen Cope, eyes closed, sang a soulful version of “Heathen,” complimented by the sensual backing vocals of Briana Lee and Maiya Skyes.
In a glorious crescendo, during Ziggy and Stephen’s performance of the “Exodus” title track, special guest Tom Morello of Rage Against the Machine delivered what will go down in history as one of the most bad-booty guitar solos of all time.


   Tom Morello 
 
  Morello made his guitar whisper, then talk, wail, then shout, then scream. Then, he flipped over his guitar and played it with his teeth. On the back of Morello’s guitar was a hand-written sign with a clear message.
“Fuck Trump.” 
The audience went wild. There was one more message scrawled on the front of Morello’s guitar: “Arm the Homeless.”
Social media lit up with comments about whether blatant political statements were appropriate at a reggae concert. Lest we forget, reggae music is peace music but it is also protest music as well as a catalyst for change.
“Exodus was a natural theme for Marley,” Vivien Goldman writes in “The Book of Exodus: The Making & Meaning of Bob Marley and the Wailers’ album of the century.”  (Three Rivers Press, 2006). ”Its issues of power, betrayal, hope disillusionments and the search for serenity were all uppermost in his mind as he created the ‘Exodus’ album with the Wailers. The Book of Exodus deals with leaving familiar oppression behind, braving the unknown and letting faith guide you to a better future.”



   The Exodus 40 Live concert followed Tuff Gong Worldwide’s release of “Exodus: The Movement Continues…” a restatement, reissue, 40th anniversary edition of Bob Marley & the Wailers classic. Old school reggae fans will be glad to know that this version is also available on vinyl and cassette at Urban Outfitters for $12.99.
“It’s been 40 years since the release of the original ‘Exodus’ album, so we decided to do something very special: give the listeners a brand new perspective by mixing the album from scratch once again; the only difference being I am now the mixing engineer and it’s 2017, not 1977,” Ziggy writes in the album’s liner notes. “Along the way, I’ve discovered many gems in the original sessions, whether it be instrument parts that were not used, alternate vocal takes, alternate takes of songs, etc.”
On June 18, Ziggy Marley and the LA Philharmonic performed a beautiful, classical version of the song “Exodus” at the Hollywood Bowl in celebration of the album’s 40th anniversary.
For more information, go to www.ziggymarley.com and www.tuffgongworldwide.com.

Listen to the music of Bob Marley, Ziggy Marley and Stephen Marley on Streetwise Radio!

Sunday, November 6, 2016

In the Kitchen with Ziggy Marley: Seven-Time Grammy Winner Launches Family Cook Book in Menlo Park, CA


By Shelah Moody with Safi Wa Narobi of KPFA F.M. Berkeley







“The food of my youth, and my wife’s Orly’s, continues to be the food of our adulthood. An Israeli of Iranian decent, Orly really understands food and family.  She grew up in a stable family structure, and she places a high value on family meals. We eat a lot of Persian and Israeli foods at home. We celebrate Shabbat every week, along with Jewish Holidays like Passover and Hanukah. All of this has taught me even more about the relationship between food and family.”—Ziggy Marley
Having known Ziggy Marley, aka the Fly Rasta, for nearly three decades, I am convinced that this man has coolest job ever. Case in point, at press time, his latest album, “ZM” released on the family Tuff Gong Worldwide label, is currently at the top of Billboard’s Reggae Charts.
On Sept. 13, Marley, in connection with Tuff Gong Worldwide, MusiCares Foundation and the Grammy Foundation, presented a sold out panel on the History of Reggae music, which included Marley’s longtime drummer and famed Studio One sessionist Santa Davis, former radio host and Nyabinghi specialist Ras Michael and acclaimed singer/songwriter Lloyd “Bread” McDonald of the Wailing Souls. The elders on the panel were also friends and contemporaries of his iconic father, Bob Marley.




Chef Leonie McDonald, wife of Lloyd "Bread" McDonald is a major contributor to the Ziggy  Marley and Family Cookbook.

On Oct. 19, two days after his 48th birthday, the seven-time Grammy winner chose Kepler’s books in Menlo Park, one of the most affluent communities in the Bay Area, to launch his latest endeavor, the “Ziggy Marley and Family Cookbook: Delicious Meals Made with Whole, Organic Ingredients from the Marley Kitchen” (Akashic Books/ Tuff Gong Worldwide, 2016). Incidentally, Menlo Park is best known as the Facebook headquarters (thumbs up emoji to that). #ziggymarley!
As my media colleagues and I took our seats and waited for Marley’s book discussion with “New York Times” bestselling author Adam Mansbach, I noticed the seats filling up with not only music lovers, millennials and bibliophiles, but entire families. Behind me, a restless toddler in the lap of his pregnant mom tugged at my hair and squealed “Iggy! Iggy!” in anticipation of seeing his favorite singer.







After the discussion with Mansbach, Marley remained in Kepler’s Books  greeting fans and posing for photos until every book was signed.



 The following night, Marley and his dynamic, mulit-cultual band played a sold out show at the historic Fillmore Theatre in San Francisco, an extended set of conscious feel good music including tracks such as  “Conscious Party,” “Could You Be Loved,” “Black Cat,” “True to Myself,” “Butterflies” and “Amen.”



So, what did you do on your birthday this year?
Ziggy Marley: Played some music. I was on stage. The crowd in Duncan, British Columbia, sang “Happy Birthday” to me twice, and I didn’t really ask them to! I mean, twice; that was a first, that was a memorable moment. It was incredible!
 So, you are a musician, husband, father, entrepreneur, Emmy winner, author, environmentalist and advocate of clean, non-GMO food. I knew you like to cook but I did not know you were a chef. How did the “Ziggy Marley and Family Cookbook” come about?
ZM: I’m not a chef at all! Growing up in Jamaica, I learned to be an independent person, an independent man. I learned to cook so that I would not have to depend on anybody to cook for me.
So, for someone like me, who is not that proficient in the kitchen, what recipe from the “Ziggy Marley and Family Cookbook”  would you suggest I start out with? I’ve got a stovetop, a microwave oven and a toaster oven and a blender. It’s sort of like your set-up here on the tour bus.
ZM: Hmmm…Try the Mancakes breakfast (pp. 16-17) and see how you like it. Breakfast is my favorite meal. That’s when I enjoy food the most, at breakfast time. Breakfast is the most important meal to me. It’s how I start my day.
 So, the book signing --what did it mean to you this evening to have so many people show up and for you to be so giving and to sign all of those books?
ZM: Well, the people are giving to me so I give back. I reach out to people and then again I may attract new ears by talking to and interacting with people. It gives me a chance to reach out to different types of people; that’s what I like about it. It’s a new experience for me. Every new experience makes me grow. Even as I’m doing these things, I’m growing.
 You’ve been touring with another Grammy winning reggae band, Steel Pulse, since 2013. How did that connection come about?
ZM: Well, the same agency that puts our shows together puts their shows together. Steel Pulse is one of my favorite groups and I’ve known David (Hinds) for a long time. It’s always good to see them again and share the stage.
 So, there are two, very danceable songs that I’m addicted to on your latest album “ZM” —“Ceceil” and “Amen.” Tell me about the origins of those songs.
ZM: “Ceceil” is an “ex.” It could be anyone or anything or any country. Ceceil is just a metaphor. The refrain goes: “Why don’t you try to be loving, Ceceil?”  It is so much more; it is not a love song to a girl named Ceceil. There’s a verse in the song that asks “When will war be the answer that you’re looking for?” To me, love and relationships always relate back to the world. The beat has some ska elements, but it also has an African beat in the front. In my mind, I’m paying homage to Fela Kuti. Sometimes I pay homage to Aston “Family Man” Barrett in my music because he inspires certain basslines. ‘Amen’ has a little more positive tone. It is an acknowledgement of what we are saying, like, here’s my truth, you know, and what do you think about it? Like when you are in church and the preacher says “amen!” and the congregation says “amen!”
 Last month, you hosted a panel on the History of Reggae Music at the Grammy Museum in Los Angeles. I like what you said about how the foundation artists, like Ras Michael, Santa Davis and Lloyd “Bread” McDonald are your crew and that you are not leaving them.
ZM: Yeah, I grew up around the elders, I learn a lot from them and I have a connection to them in a way—a spiritual connection.  
On the Grammy panel, you described yourself as an “old soul.”
ZM: Right!  So you unnerstan what mi a seh! See it deh?
 Piggybacking on the panel, would you ever consider teaching a university level course on reggae music?
ZM: I think that you have to teach it by doing it; you can’t talk it. I mean, you can talk it, yeah, but if you see how it’s done, then you realize that it’s real freedom; that’s how you learn, when you see it happening.  So, it can’t be limited to a book or a lesson. It’s freedom; at least that’s how I do it, I don’t know about anybody else.
Ok, during your book discussion today, you named Michael Jackson’s “Thriller” as one of your top three albums. I don’t know how I missed that connection after all these years, because it’s one of MY top three albums!
ZM: (Laughs). Yuh neva know dat?
What’s your favorite song on the album?
ZM: On “Thriller?” All of the song dem bad, mon. My friend and I, we used to dance like Michael Jackson when we would play “Beat It.” (hums a bit of the melody). My friend had the red jacket! There are certain times in your life that you always remember!
 Did you ever meet Michael Jackson?
ZM: Mi tink me meet him when he come to Jamaica. And mi talk to him again when we was working on some kind of project. He seemed quiet and shy.
Given all of your accomplishments in the last two decades, is there an official “Ziggy Marley Day” somewhere or a key to the city?
ZM: There should never be a Ziggy Marley Day, come on! Mi all right!  I don’t want just one day, I want a lifetime; I want generations (laughs).




Mancakes
Serves 3 to 4, Vegetarian/Gluten-Free
Ingredients
2 cups of flour or substitute gluten-free flour
2 Tablespoons brown sugar, 1/1 tablespoon salt
3 Teaspoons baking powder
1 Tablespoon Pumpkin Seeds, Crushed
1Tablespoon flaxseeds
1 Tablespoon walnuts, crushed
2 eggs, beaten
4 Tablespoons Ziggy Marley’s Coco’Mon Coconut Oil or coconut oil of your own choosing
2 Cups water, or substitute coconut soy, almond, rice or whole milk
Preparation:
Mix all dry ingredients together, then add eggs, coconut oil, water and blend well
Spoon batter onto a hot grill
Once pancakes bubble, flip over and cook until golden brown.
Serve with maple syrup and enjoy!


Sunday, October 11, 2009

New Sunday Playlist Additions

Just added some reggae to the playlist  Perry, Lee - Covetious girl - Fire in Dub,  
All three can be heard on Big Splif's 4:20 Reggae at 4:30pm Pacific Time every day.


Here is a classic for you Otis Redding & Carla Thomas - Tramp - Phat Trax: The Best Of Old School, Vol. 3
To be played on Soul City this week.


Other great songs added to our Ultra play list. Now 7 hours long.

Fragmentorchestra - Water Breeze - Fragmentorchestra
The Time - 777-9311 - What Time Is It?
Angela Bofill - I Just Wanna Stop - Intuition
Alicia Keys - You Don't Know My Name -
Mariah Carey - Fantasy (Featuring O.D.B.) - #1
Stevie Wonder - Love Light in Flight - At the Close of the Century 


Big Splif

 


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