Showing posts with label Stevie Wonder. Show all posts
Showing posts with label Stevie Wonder. Show all posts

Thursday, October 31, 2019

Notes From the Great Stevie Wonder Rebellion By Shelah Moody Chapter One: Living for the City




          On Saturday morning, on my way to work, I got off the Muni at Embarcadero station and passed a heartbreaking scene: a man and his dog sleeping on platform. 



 I transferred to the N train and got off 2nd and King and walked through another SF injustice— a makeshift homeless encampment right at the train stop.




      Across the street at Oracle Park, a massive private concert was set up; it was hosted by corporate giants Genentech, featuring a surprise superstar music headliner. 
          My anxiety kicked in. My office was right next door to Oracle Park.   Yet I was locked out of the biggest event in the city. The concert was exclusively for Genentech employees.
          Welcome to San Francisco 2019, a city of great wealth with a hidden core of great poverty.
       In 2018, I’d left San Francisco for New Orleans, but I was lured back with the promise of a well-paying city job and new civic leadership under a young progressive black female mayor, London Breed. I had indeed remembered SF as a fun and beautiful, the innovative city where you could achieve your dreams if you worked hard.
        But upon my return from New Orleans, people in SF seemed younger, unfriendlier, bigger, stronger and faster than I was. I was paying the highest rent I’d ever paid in my life. (I’d even tweeted this fact to #45 when he said he’d done more for African Americans than any other president, but that’s a different dish).
           After 25 years, I was still a struggling writer in San Francisco, floundering in the house that tech built.
          I constantly questioned my self-worth: afraid to let my rich friends know how little I and afraid to let my poor friends know how much I had.
     
I’d returned to SF from New Orleans after being offered a permanent job with the City and County of San Francisco. I was a low-level bureaucrat; I made a decent salary which allowed me to scrape by in the most expensive and expansive city in the country.
      Part of my job was selling parking passes and collecting rents and late fees from SF tenants. I still pursued what I was most passionate about: and reporting about music.
      That day, I committed an outrageous act which I call the great Stevie Wonder Rebellion. Giving it an enigmatic name makes being fired and one step away from homeless myself seem less traumatic, don’t you think? 
        In a way, Stevie Wonder freed me from what could have been a lifetime of frustration and unhappiness.
    So, this is what happened. The day of the Great Stevie Wonder Rebellion, one of our tenants with connections walked into our office and offered us access into the private Genentech concert, featuring none other than Stevie Wonder. 
     Stevie Wonder; an artist I had been chasing since I was 17. For the past two decades, there were times when Stevie Wonder was literally at my fingertips, but I’d never gotten to touch the Motown icon or meet him face to face. In 2016, I even sat right behind Stevie Wonder in the pews when I covered Natalie Cole’s funeral in Los Angeles for Streetwise Radio. In 2014, I sat in the VIP section watching Stevie Wonder soundcheck before the Soul Train Music Awards in Las Vegas, but security kept the press away. In 2015, my friend had been offered backstage passes to see Stevie Wonder at his tribute concert in LA, but she chose to have a meal in a trendy restaurant instead.
       Stevie Wonder was again right at my fingertips. Maybe this was a sign.
       My boss agreed to let us leave the office for a while to catch a few songs from Stevie Wonder and come back. 
       So, our connection escorted us inside of the venue; Oracle Park was transformed into a wonderland of perks for Genentech employees: free food, drink, an abundance of snacks, games and live DJs and other entertainment. 
      But five minutes before Stevie Wonder was scheduled to hit the stage, my boss called us back to the office and told us to come back to work. There would be no Stevie Wonder for me, she said. 
       Now, if you saw the movie, “Color Purple,” starring media mogul Oprah Winfrey, you may recall a scene where the mayor’s maid, Sophia, is given the chance to spend Christmas with her family after an eight-year estrangement. The mayor’s wife drops her off and Sophia revels in the joy and love and comfort of her family. But the mayor’s wife cannot drive home by herself, so she orders Sophia away from her family and back into the car after 15 minutes. That’s how I felt.
        So, back in the office, I pleaded with my boss as Stevie Wonder and his band performed the first rifts of “As if You Read My Mind” from one of my all-time favorite albums, “Hotter than July:” 
    “Take a chance on the secret/That you hide beneath your dreams/Use your wildest imagination/You just tell me what it is and I will make it be…”
    I could feel the bass, drums, and synthesizer in my feet. I snapped. My pleading with my boss turned into an argument, and then harsh words. I called her boss and said more harsh words and eventually, I got my way, strolling back into the concert in my sassy red sunglasses. 
       Thanks to my connection, I was able to stand right on the stage and watch one of the greatest singer/songwriters of all time perform hits such as “Master Blaster,” “Living for the City,” Higher Ground,” “Overjoyed,” “Signed Sealed Delivered,” “Superstition,” “Don’t You Worry Bout a Thing” and “You are the Sunshine of My Life” up close and personal. Stevie’s setlist was prophetic, and my



connection grabbed it off a speaker and squirreled it away after the show. I was as scared and elated at the same time. This was my greatest act of rebellion, ever.


Monday, May 16, 2016

L.A. Loves Prince Tribute Photos by Shelah Moody and Denise Robertson







                            



It was a funky, purple party for one of the greatest artists of all time.
How do you celebrate a force that was aural and visual, who was singer, songwriter, musician and dancer, who was preacher, pimp and philanthropist?
On May 6, the City of Los Angeles presented a star studded, free concert at City Hall in honor of Prince Rogers Nelson, who was found dead in an elevator at his Paisley Park home in Chanhassen, Minn. at age 57. Another legend gone too soon. The multiple Grammy and Oscar winner left behind generations of fans who will have to learn how to cope with life after Prince. While the exact cause of Prince’s death is being determined, Prince’s fans continue to celebrate his life and party, in his honor, like it’s 2099.
When Prince’s death was announced on April 21, CNN devoted an entire day of coverage to remarkable life. Public buildings in cities across the country, including Los Angeles San Francisco, New Orleans and Minneapolis, Prince’s birthplace, lit up purple.
“Prince loved L.A. and L.A. loves Prince,” said activist Najee Ali, one of the organizers of “Prince Loves L.A.”
This was Prince’s second home. He spent a lot of time here; in fact, the video for his hit song, “Diamonds and Pearls” was shot right behind us, in City Hall. Prince was cremated so soon that L.A. fans didn’t have a chance to have closure; to say goodbye. Prince deserves a proper goodbye, so we decided to have a great, free concert for all of the Prince fans.”
Downtown Los Angeles was ablaze with color on the day of the celebration, and the trees surrounding City Hall rained purple blossoms. As fans queued outside City Hall, pop up vendors hawked bootlegged Prince R.I.P. T-shirts, hats, commemorative buttons, ribbons, music and other memorabilia from duffle bags. Seven-year-old Amari Evers, one of Prince’s youngest fans and a “retired” Prince impersonator, showed up in his purple/paisley best and his new haircut with the Prince/love symbol shaved into it.
                                    
                                                          Amari Evers


One fan known as Cody the Funky White Boy said he’s seen Prince perform more than 100 times and had the rare opportunity to hang out with His Royal Badness at Paisley Park. I asked Cody a burning question, what did Prince smell like?
“He wore a floral scent; he smelled like flowers,” said Cody. “He was the sweetest, funniest dude. One night, after a concert, he even invited me to his house. I got to watch that night’s concert with him, and he was critiquing himself, and cracking jokes. It was amazing. We stayed up until 8:00 in the morning. ”
On the steps of LA City Hall, civic leaders, spiritual leaders, glitterati and artists who had worked with Prince over four decades paid tribute to the Purple One.
“I didn’t know Prince, but I met him,” said Ali. “He had a great heart and a great spirit, and I know for a fact that Prince was not just a musician, he was an activist. Prince believed that black lives matter. That’s why he donated, that’s why he gave to a lot of causes to support our community, but he gave quietly. Whether one person or a million people show up today, the fact is, Prince is a legacy that will be unequalled. His music will last forever. I’m just grateful to see so many fans out today. We’re gonna have a big party and have fun. I know that right now, Michael Jackson, Prince, James Brown, Luther Vandross, Whitney Houston, Marvin Gaye, Tupac and so many others are jammin’ in heaven right now.”
DJ R-TISTIC, revved up the crowd with Prince’s greatest hits such as “Let’s Go Crazy,” “1999,” “Raspberry Beret” “Sexy MF” and “Glamorous Life,” which Prince produced for his superstar protégée, percussionist Sheila E. Emcee Tammi Mac of Radio Free 102.3 KJLH FM showed the audience how to do the “Bird” dance, inspired by the eighties hit recorded by Prince protégées Morris Day and the Time. Even the sign language interpreters had fun interpreting songs like “I Feel for You” while dancing at the same time.
Michael Bernard Beckwith, New Thought minister, author, and founder of the Agape International Spiritual Center in Culver City, CA, blessed the stage and called for a moment of silence for Prince.
Let us think, just for a moment about all of the sweet memories that Prince gave us,” said Beckwith. “Think about the inspiration; think about the creativity, the celebration of life. Think about the philanthropy, the activism. Be aware that all of those spiritual qualities never were born and will never die. They continue to unfold in a great and mighty way. Prince was a man who left nothing on the playing field, who gave us everything he had, who lifted us up into the stratosphere of celebration so that we could ‘go crazy’ for God.
                           
                                                     Morris Hayes

                            
                                           Marva King , Maya and Nandy


Backed by members of Prince’s New Power Generation Band, including keyboardists Cassandra O’Neal and Morris Hayes, an incredible and musically diverse line up of guests artists honored Prince in song. Eric Benet performed Prince’s 1970s breakthrough song, “Wanna Be Your Lover.” Rahsaan Patterson performed “Pop Life,” and Deitrick Haddon performed “Raspberry Beret” and “I Would Die 4 U.” Faith Evans performed “I Feel for You” which became a hit for Chaka Khan in the eighties. Afro-ed vocalist Marva King performed “Kiss” accompanied by Prince twin dance sensations from Australia, Maya and Nandy McClean. One of the best vocal performances of the evening was delivered by singer/songwriter BJ the Chicago Kid, who sang a fiery sensual falsetto version of Prince’s ballad, “Do Me Baby.”



                                                  
                            
                                                       Cassandra O'Neal


                                    
                                                          Aloe Blacc

Singer/ activist Aloe Blacc received a 2015 Grammy nomination Best R&B Album for “Lift Your Spirit,” and is perhaps best known for his international hit, “The Man.” Wearing a purple velour jacket, Blacc honored Prince with his version of “Diamonds and Pearls.”
“Prince is such an important piece of the fabric of music,” said Blacc. “Historically, he was one of the most brilliant musicians, one of the most brilliant songwriters, one of the best entertainers you can imagine. We will never forget what Prince has given us. Because of what he was able to do and the footsteps he walked, doors opened for artists like myself, who can now stand on stage and share with you the music that I create. Prince is “The Man.”




As evening segued into night and after several white doves were released at City Hall to the tune of Prince’s “When Doves Cry,” the crowd’s excitement built in anticipation of a surprise guest. The crowd roared when another icon and creative force, Stevie Wonder, emerged on the stage, leading the band in an all rendition of Prince’s theme song, “Purple Rain.” Incidentally, Wonder is also the owner of one of the event’s sponsors, Radio Free 102.3 KJLH FM. Ironically, Wonder was called upon to sing at the funerals of Michael Jackson, Whitney Houston and Natalie Cole in the span of less than a decade. In an interview with Larry King, Prince cited Stevie Wonder as one of his greatest inspirations.
Wonder thanked the city leaders, artists and fans for coming together to celebrate the life of one of the greatest artists in history.


 “What a celebration, what an incredible life—the music, the legacy that he gave us,” Wonder said from the stage. “I think the only thing we can do, in the spirit of Prince, is to truly love one another and come together. We can’t just talk about it; we’ve got to be about it.”