Sunday, March 26, 2017

Streetwise Radio Exclusive: Fantastic Negrito

Streetwise Radio Exclusive: Fantastic Negrito
Acclaimed Roots Music Artist and Oakland Resident Wins First Grammy Award
By Shelah Moody and Carmelita Harris

“There’s good in the old Oakland, there’s good in the new Oakland. Let’s make a sandwich. Let’s make a new baby. Just to survive? Yeah. The seeds were planted long ago. Let’s watch the tree grow.”—Fantastic Negrito.
Fantastic Negrito is bringing the glory back to Oakland, CA.
On Feb. 12, at the Microsoft Theater in Los Angeles,  the 49-year old singer/songwriter/.guitarist won his first Grammy, in the Best Contemporary Blues Album category,  for his 13-song masterpiece, “Last Days of Oakland.”
After R&B star Mya announced his name, Fantastic Negrito made the hero’s walk from his seat to the stage at the 59th Annual Grammy’s Premiere Ceremony. First, he thanked his entire team, including guitarist Masa Kohama and bassist Cornelius C. Mims, as well as the City of Oakland for helping him get to this point.
“We didn’t have a record company, we did this right from our living room with a lot of heart and a lot of soul,” said Fantastic Negrito, in his Grammy speech.  “We’re so glad that it resonated with people, and I’m very grateful.”
Born Jan. 20, 1968, Fantastic Negrito was given an equally grand name, Xavier Amin Dphlepaulezz. His story is indeed a living blues, told through albums such as “The X Factor (Interscope, 1996) (as Xavier) Fantastic Negrito (Black Ball Universe, 2014). “The Last Days of Oakland”  (Blackball Universe, 2016) is a journey from Oakland’s proud history as a hub for the working class, black militants and black artists and it’s turbulent present vis a vis gentrification, poverty and police brutality.

On a bright spring day in Oakland, Fantastic Negrito hosted an art show for Kenyan artist Omiiroo at his loft in the city’s fashionable Jack London district. After greeting all of his guests, the humble and regal musician sipped a cup of tea and sat down with Streetwise Radio for a few words. First, I asked Fantastic Negrito for his reflections on the recent passing of bluesman James Cotton, but, he’d just received news that another music icon, Chuck Berry, had died at 90.
“He was a king, a legend, a genius, a very under-appreciated lyricist and an influential guitar player who so many people borrowed from,” said Fantastic Negrito.  “A showman. The architect, really, of rock and roll. The beginning. Black roots, straight up.”

Streetwise Radio: Have you ever performed any of Chuck Berry’s music?
Fantastic Negrito: I’m not good enough to play Chuck Berry. I don’t even fake it. Who was not influenced by that “Johnny B. Goode” lick? It’s as American as apple pie, amongst other things. It’s iconic. The Rolling Stones’ Keith Richards, every lick that Chuck Berry played, he lifted off Chuck Berry; he will tell you that himself. I don’t think that we can ever say enough about people like Chuck Berry or Little Richard, not just because of their artistry, but because of the obstacles that they had to face. I love Chuck Berry dearly and everything about him influenced me; the way he dressed, the way he performed; his authenticity. He’s one of our heroes and our community should really know who Chuck Berry. I don’t know if we’ve done a good enough job of uplifting our heroes, musically speaking.
Streetwise Radio: So, what was Grammy day, Feb. 12, 2017, like for you?
Fantastic Negrito: It was a very exciting day for me and a very exciting day for the city of Oakland and the Bay Area. I felt proud to represent my city and it was a great honor to be chosen by the Recording Academy.
SR: What happens to an artist the moment you walk off stage with your own Grammy Award?
FN: Generally, you go backstage and you have to some press and take a few pictures. But I had to get on a plane and go to France, so I didn’t really get to enjoy the festivities and the after parties. I literally picked up the Grammy did a couple interviews and then it was off to a tour; five cities in France and two cities in the U.K.
SR: I first saw you play at the DNA Lounge in San Francisco when you led a group called Death from Sex in the late nineties. Was that considered alternative music or black rock?
FN: I don’t like genres and labels. I think they are ridiculous. I think that either you have material that is compelling and that reaches people or you don’t. I think genres are often a good place to hide; and I don’t wanna hide from anything. I don’t think about genres when I’m writing. I don’t think about Grammys and awards. I just want to make the connection with humanity. I think that’s what the language of music is all about. I call what I (do) black roots music for everyone. It’s really what we’re all playing. The music came from people who came here on a slave ship; our ancestors, their suffering and their strength perseveres and it meant something. (The music) really touched the lives of the world. In every aspect of music, you hear it.
SR: On that note, what inspired your Grammy winning album, “Last Days of Oakland?”
FN: Artists…I mean, what are we doing if we are not looking around and observing and singing about it and creating material that’s a reflection of the times that we live in?
SR: “Rant Rushmore” is a compelling song.
FN: Yeah, I like “Rant Rushmore.” It’s a love song. It’s a song about the discomfort of love; perhaps the darker side of love, perhaps the things that we don’t want to talk about but are probably the pillars of love, which are the uncomfortable parts of love.
SR: What other songs on “The Last Days of Oakland” are the closest to you?
FN: I like “Scary Woman,” that’s a good song. I like “Lost in the Crowd;” that’s special to me, like “About a Bird.” I like “Working Poor.” I’m biased. I think it’s a pretty good record.
SR: So, tell us about the space that we’re sitting in now.
FN: This is Black Ball Universe. It’s a collective-art, music, film. I started it about five years ago because we needed something good. In order to do that, it took many minds coming together to create and to come up with something that’s powerful on all those levels. Currently, we’re in the office of Black Ball Universe. It’s not the studio, but it’s my work space.
SR: What inspires you to keep the art movement going?
FN: I come from a big family; I’m the middle of 14. I don’t know any other way. You just get it done. What more inspiration do we need than our existence and our surroundings and our humanity? I believe that anything can be done. That’s the way I live. I only know the way of perseverance.
SR: Were you born and raised in Oakland?
FN: I was raised in Oakland, but I was born back east, in New England. My people came from the south like a lot of our people. They’re from Virginia. My dad’s side is Caribbean, from the Bahamas and African, from Somalia. That’s what I was told but I never confirmed it.
SR: You are setting a tone fashion wise with the Fantastic Negrito sense of style. Where does it come from?
FN: I do design. I do pick out stuff that I like to wear. I think that my style comes from a deep sense of dignity. I get stuff from second hand stores. Wherever I travel, I go to second hand stores. These pants I have on now were 10 bucks. The jacket was 15. My whole outfit probably cost $50. I don’t believe in making designers rich. Style is important. People judge you based on your appearance. We all know that it’s extremely important in America. If I wear a certain pair of shoes, they can determine what I’m gonna write or how I’m gonna perform. There’s a dignity that comes from my dad, I’m sure. He was a fine role model for fashion. Dignity was big for my dad; he was born in 1905 and had his own demons.
SR: What advice would you give to young artists who aspire to be where you are?
FN: For the youth, I say, keep high standards; that’s number one. Also, it will be over really quick; that means your youth, so take a deep breath, relax. What you don’t know is that what you are going through in your youth is such a tiny part of your life as a human being. I know it’s heavy, but keep high standards and walk towards the light. Associate yourself with people who are doing things. You are about as good as your friends are. Take a look around; we are all about as good as the company we keep. I care about writing good songs; I don’t really care about awards. I care about connecting with people and that’s what’s important. A Grammy is great, and I like the fact that other people are excited about it.
Follow Fantastic Negrito on his website:
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Check Out Video Fantastic Negrito - In the Pines (Oakland)

Monday, February 13, 2017

Skip Marley Sings With Katy Perry At Grammy's

Skip Marley and Katy Perry sang the song "Chained to the Rhythm" at the 2017 Grammy Awards.
We here at Streetwise Radio Loved it.We have been following Skip for some time and met him at Bay Area Vibes concert in Oakland a while back. His debut single " Cry to Me " is still being played on Streetwise Radio.Talking with him was great He is great guy with a tremendous future a head of him.Skip if you didn't know is the 20 year old son of Bob Marley's eldest daughter Cedella Marley.

           Congratulation's Skip on your Grammy appearance.

Thursday, February 9, 2017

Rising Reggae Stars Raging Fyah Receives First Grammy Nomination By Shelah Moody

                           Kumar Bent and Pele Hamilton 

For the members of Raging Fyah, a decade of music education, hard work and constant touring and recording has finally come to fruition. On Dec.6, Kumar Bent (lead vocals, guitar), Demar Gayle (keyboards), Anthony Watson (drums), Delroy “Pele” Hamilton (bass) and Courtland White (guitar) were alerted that their third album, “Everlasting,” (VP/Dub Rockers) had been nominated for the 2016 Grammy award for Best Reggae Album.
Ironically, Raging Fyah’s manager, Lukes’ Morgan, received the 2015 Grammy Award for Best Reggae Album for “Strictly Roots” with his brothers Gramps and Peetah as a member of Morgan Heritage.
I caught up with the members of the Kingston, JA-based roots reggae band at the Emerald Cup at Sonoma County Fairgrounds during the weekend of December 9-11, 2016. Although Kumar admitted that it had always been his dream to be surrounded by so much marijuana in one place, the members of Raging Fyah  were riding high on the news of their Grammy nomination.
Aside from the passage Proposition 64, the California Marijuana Legalization Initiative, Raging Fyah became the talk of the annual cannabis competition.
Raging Fyah performed at the smaller Sonoma Stage at the Emerald Cup on a drizzly Saturday, giving the Emerald Cup audience and up close and personal experience. Later, I asked the members where they were and what they were doing when they learned that they were nominated for their first Grammy.
“Yeah, well, I was in my house in Jamaica, in my bed, right beside my wife,” said Kumar. “My manager called me and told me and then I started calling and telling everybody. Then, I made some breakfast and had some fun!”
Dumar said that he was in the supermarket in Jamaica when he got a text about the news of Raging Fyah’s Grammy nomination.  Word traveled fast and someone made an announcement  over the PA system, Dumar said. The whole store became silent.
“I was at home in Kingston, and I got a text from my manager, Lukes, followed by a phone call,” said Pele. “It was epic. It’s definitely a joyous feeling to be nominated for a Grammy. We’ve been working hard since 2006 and we’ve been focusing on putting out quality reggae music. Personally, to be highlighted in the highest musical form, which is the Grammy, feels good and it propels us to continue working hard.
Reggae music is our culture; it’s what we’re here to do. More and more people are hearing the music and feeling our vibration and it definitely feels good.”
“Everlasting” is an upbeat, rootsy album that reflects the influence of classic reggae artists such as Bob Marley, Peter Tosh, the Mighty Diamonds and Steel Pulse. Stand out tracks include the lovers rock infused title track, “Live Your Life,” featuring J Boog and Busy Signal” and “Humble,” featuring Jesse Royal.
Kumar, who considers Raging Fyah musicians rather than artists, said that if the band should win the Grammy, it will be a big win for their alma mater, the Edna Manley College of Visual and Performing Arts, in Kingston.  Kumar feels that having Grammy winners as alumni would solidify Edna Manley’s reputation as a world class institution.
Raging Fyah shares the 2016 Grammy nomination with for Best Reggae Album with heavyweights such as Ziggy Marley and Sly and Robbie and popular reggae bands on the touring circuit such as J Boog, Rebelution and Soja.
“It’s a great feeling,” said Demar.  “Over the years, we’ve been putting in the work, so it’s a great honor to be recognized on that level.”
Demar said that California has become Raging Fyah’s second home and feels that their live performances at mega festivals such as the California Roots Music and Arts Festival (Caliroots) have contributed to their success.
 “(California) is where we launched our “Everlasting” album,” said Demar. “It’s like we birthed the baby here and we are raising him here.”
Perhaps no one was beaming brighter at the Emerald Cup that Morgan, who took a break from performing with his siblings, Morgan Heritage, to manage Raging Fyah and occasionally fills in as sound engineer on tour.
“Actually, I was sitting at my computer, watching the ‘Today Show’ when they were announcing the top four categories,” said Morgan. “And then I got a text from my friend Christy Barber; she was like, ‘Congrats!’ And I was like, for what, and she was like, Lukes, they got nominated. I paused. It was just so humbling for this to happen to Raging Fyah a year after me, as a member of Morgan Heritage won.
“The Grammy award is the highest accolade that you can get in the industry,” said Morgan. “Just being nominated is a win. To be nominated for our first independent album as Morgan Heritage was incredible. We gave our speech but backstage, we broke down, we all started crying. It took us 20 something years; and this is (Raging Fyah’s) third album. It’s a great thing!”
A fun fact: Morgan said that he keeps his own Grammy in a safe deposit box.
The 59th Annual Grammy Awards ceremony will be held at the Staples Center in Los Angeles on Feb. 12. Should they win, the members of Raging Fyah would most likely walk across the stage at the Premiere Ceremony at the adjacent Microsoft Theater.
Which bring us to the hot topic of what the members of Raging Fyah will be wearing to the Grammys.
At the moment, Kumar was undecided, and Demar had already called his tailor.
For more information, visit: and

For the first time in history, multiple Grammy winner, author, actor and activist Ziggy Marley will perform at the Grammy Awards Premiere Ceremony at the Microsoft Theater. Ziggy is nominated for Best Reggae Album for his self titled release, "Ziggy Marley."

Friday, December 23, 2016

R&B Superstar Aloe Blacc Illuminates Macy’s Great Tree Lighting Ceremony, San Francisco By Shelah Moody

Photos by Johnnie Burrell

                Aloe Blacc and Oakland Interfaith Gospel Choir
Happy Holidays from Streetwise Radio! We wish you love, prosperity and happiness in the Yew year!  Thanks to Johnnie Burrell of International Media TV, Streetwise Radio was on hand as Grammy nominated R&B singer Aloe Blacc kicked off the holiday season in San Francisco, performing at Macy’s annual Great Tree Lighting Ceremony at Union Square Park on Nov. 25.

Backed by the Oakland Interfaith Gospel Choir, Blacc, known for his hits including “Wake Me Up,” “I Need a Dollar” and “The Man,” performed Christmas classics such as, “This Christmas” by Donny Hathaway,  Mel Torme’s “The Christmas Song,” made popular by Nat “King” Cole and Jose Feliciano’s “Feliz Navidad,” in honor of his own  Panamanian heritage. Blacc even put his own letter to Santa in Macy’s classic red mailbox on stage. One can only wonder what he asked for! Check out a clip here.
Thanks for listening and tune in to a new and improved Streetwise Radio in 2017!

Thursday, December 15, 2016

Tantra Zawadi


Is groovy, smooth, jazzy and oh so soulful. This performance poet, actor and published author, brings awareness to issues that affect women. Through her music if you really listen to the lyrics, it speaks to what is going on in this crazy world today. This Brooklyn born poet, puts her poetry to music and makes a classic house sound. The deep drum beats in her music makes you want to move. Tantra Zawadi is one of the modern lyrical leaders and guardians of a timeless poetic tradition. Here are some of my favorite tunes from this outstanding artist, "Do It for Love", “Girl: A Choreospective”, "We Are The Stars" and “Above The Clouds”. Tune into Streetwise Radio and listen to this positive artist who speaks the truth Tantra Zawadi.


Craig David Jams On Streetwise Radio

Who is Craig David? Is what I said, when I was asked to write a blog for Streetwise Radio. He is a singer, songwriter from the U.K. who rose to fame in 1999 with the single, "Re-Rewind" by Artful Dodger. Craig has released three albums, Born To Do It in 2001, Slicker Than Your Average in 2002 and Following My Intuition in 2016. Craig David has a style all his own. His music has that up-tempo R&B feel. The songs he sings have you thinking about life. Songs like, “Ain't Giving Up” and “All We Need”. Here are some more songs that I’m feeling, “One More Time”, “Change My Love”, “All The Way” and “Fill Me In”. If you have been sleeping on this artist like myself, Wake the Heck Up! From his first album to his latest Craig David has it going on. Tune into Streetwise Radio and listen to his songs.


Sunday, November 6, 2016

In the Kitchen with Ziggy Marley: Seven-Time Grammy Winner Launches Family Cook Book in Menlo Park, CA

By Shelah Moody with Safi Wa Narobi of KPFA F.M. Berkeley

“The food of my youth, and my wife’s Orly’s, continues to be the food of our adulthood. An Israeli of Iranian decent, Orly really understands food and family.  She grew up in a stable family structure, and she places a high value on family meals. We eat a lot of Persian and Israeli foods at home. We celebrate Shabbat every week, along with Jewish Holidays like Passover and Hanukah. All of this has taught me even more about the relationship between food and family.”—Ziggy Marley
Having known Ziggy Marley, aka the Fly Rasta, for nearly three decades, I am convinced that this man has coolest job ever. Case in point, at press time, his latest album, “ZM” released on the family Tuff Gong Worldwide label, is currently at the top of Billboard’s Reggae Charts.
On Sept. 13, Marley, in connection with Tuff Gong Worldwide, MusiCares Foundation and the Grammy Foundation, presented a sold out panel on the History of Reggae music, which included Marley’s longtime drummer and famed Studio One sessionist Santa Davis, former radio host and Nyabinghi specialist Ras Michael and acclaimed singer/songwriter Lloyd “Bread” McDonald of the Wailing Souls. The elders on the panel were also friends and contemporaries of his iconic father, Bob Marley.

Chef Leonie McDonald, wife of Lloyd "Bread" McDonald is a major contributor to the Ziggy  Marley and Family Cookbook.

On Oct. 19, two days after his 48th birthday, the seven-time Grammy winner chose Kepler’s books in Menlo Park, one of the most affluent communities in the Bay Area, to launch his latest endeavor, the “Ziggy Marley and Family Cookbook: Delicious Meals Made with Whole, Organic Ingredients from the Marley Kitchen” (Akashic Books/ Tuff Gong Worldwide, 2016). Incidentally, Menlo Park is best known as the Facebook headquarters (thumbs up emoji to that). #ziggymarley!
As my media colleagues and I took our seats and waited for Marley’s book discussion with “New York Times” bestselling author Adam Mansbach, I noticed the seats filling up with not only music lovers, millennials and bibliophiles, but entire families. Behind me, a restless toddler in the lap of his pregnant mom tugged at my hair and squealed “Iggy! Iggy!” in anticipation of seeing his favorite singer.

After the discussion with Mansbach, Marley remained in Kepler’s Books  greeting fans and posing for photos until every book was signed.

 The following night, Marley and his dynamic, mulit-cultual band played a sold out show at the historic Fillmore Theatre in San Francisco, an extended set of conscious feel good music including tracks such as  “Conscious Party,” “Could You Be Loved,” “Black Cat,” “True to Myself,” “Butterflies” and “Amen.”

So, what did you do on your birthday this year?
Ziggy Marley: Played some music. I was on stage. The crowd in Duncan, British Columbia, sang “Happy Birthday” to me twice, and I didn’t really ask them to! I mean, twice; that was a first, that was a memorable moment. It was incredible!
 So, you are a musician, husband, father, entrepreneur, Emmy winner, author, environmentalist and advocate of clean, non-GMO food. I knew you like to cook but I did not know you were a chef. How did the “Ziggy Marley and Family Cookbook” come about?
ZM: I’m not a chef at all! Growing up in Jamaica, I learned to be an independent person, an independent man. I learned to cook so that I would not have to depend on anybody to cook for me.
So, for someone like me, who is not that proficient in the kitchen, what recipe from the “Ziggy Marley and Family Cookbook”  would you suggest I start out with? I’ve got a stovetop, a microwave oven and a toaster oven and a blender. It’s sort of like your set-up here on the tour bus.
ZM: Hmmm…Try the Mancakes breakfast (pp. 16-17) and see how you like it. Breakfast is my favorite meal. That’s when I enjoy food the most, at breakfast time. Breakfast is the most important meal to me. It’s how I start my day.
 So, the book signing --what did it mean to you this evening to have so many people show up and for you to be so giving and to sign all of those books?
ZM: Well, the people are giving to me so I give back. I reach out to people and then again I may attract new ears by talking to and interacting with people. It gives me a chance to reach out to different types of people; that’s what I like about it. It’s a new experience for me. Every new experience makes me grow. Even as I’m doing these things, I’m growing.
 You’ve been touring with another Grammy winning reggae band, Steel Pulse, since 2013. How did that connection come about?
ZM: Well, the same agency that puts our shows together puts their shows together. Steel Pulse is one of my favorite groups and I’ve known David (Hinds) for a long time. It’s always good to see them again and share the stage.
 So, there are two, very danceable songs that I’m addicted to on your latest album “ZM” —“Ceceil” and “Amen.” Tell me about the origins of those songs.
ZM: “Ceceil” is an “ex.” It could be anyone or anything or any country. Ceceil is just a metaphor. The refrain goes: “Why don’t you try to be loving, Ceceil?”  It is so much more; it is not a love song to a girl named Ceceil. There’s a verse in the song that asks “When will war be the answer that you’re looking for?” To me, love and relationships always relate back to the world. The beat has some ska elements, but it also has an African beat in the front. In my mind, I’m paying homage to Fela Kuti. Sometimes I pay homage to Aston “Family Man” Barrett in my music because he inspires certain basslines. ‘Amen’ has a little more positive tone. It is an acknowledgement of what we are saying, like, here’s my truth, you know, and what do you think about it? Like when you are in church and the preacher says “amen!” and the congregation says “amen!”
 Last month, you hosted a panel on the History of Reggae Music at the Grammy Museum in Los Angeles. I like what you said about how the foundation artists, like Ras Michael, Santa Davis and Lloyd “Bread” McDonald are your crew and that you are not leaving them.
ZM: Yeah, I grew up around the elders, I learn a lot from them and I have a connection to them in a way—a spiritual connection.  
On the Grammy panel, you described yourself as an “old soul.”
ZM: Right!  So you unnerstan what mi a seh! See it deh?
 Piggybacking on the panel, would you ever consider teaching a university level course on reggae music?
ZM: I think that you have to teach it by doing it; you can’t talk it. I mean, you can talk it, yeah, but if you see how it’s done, then you realize that it’s real freedom; that’s how you learn, when you see it happening.  So, it can’t be limited to a book or a lesson. It’s freedom; at least that’s how I do it, I don’t know about anybody else.
Ok, during your book discussion today, you named Michael Jackson’s “Thriller” as one of your top three albums. I don’t know how I missed that connection after all these years, because it’s one of MY top three albums!
ZM: (Laughs). Yuh neva know dat?
What’s your favorite song on the album?
ZM: On “Thriller?” All of the song dem bad, mon. My friend and I, we used to dance like Michael Jackson when we would play “Beat It.” (hums a bit of the melody). My friend had the red jacket! There are certain times in your life that you always remember!
 Did you ever meet Michael Jackson?
ZM: Mi tink me meet him when he come to Jamaica. And mi talk to him again when we was working on some kind of project. He seemed quiet and shy.
Given all of your accomplishments in the last two decades, is there an official “Ziggy Marley Day” somewhere or a key to the city?
ZM: There should never be a Ziggy Marley Day, come on! Mi all right!  I don’t want just one day, I want a lifetime; I want generations (laughs).

Serves 3 to 4, Vegetarian/Gluten-Free
2 cups of flour or substitute gluten-free flour
2 Tablespoons brown sugar, 1/1 tablespoon salt
3 Teaspoons baking powder
1 Tablespoon Pumpkin Seeds, Crushed
1Tablespoon flaxseeds
1 Tablespoon walnuts, crushed
2 eggs, beaten
4 Tablespoons Ziggy Marley’s Coco’Mon Coconut Oil or coconut oil of your own choosing
2 Cups water, or substitute coconut soy, almond, rice or whole milk
Mix all dry ingredients together, then add eggs, coconut oil, water and blend well
Spoon batter onto a hot grill
Once pancakes bubble, flip over and cook until golden brown.
Serve with maple syrup and enjoy!