Monday, August 15, 2016

From The San Jose Jazz Fest to Reggae On The River, Streetwise Radio Was There.

          Goapele San Jose Jazz Fest 2016              Sizzla Reggae On The River 2016

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Saturday, July 23, 2016

Tuesday, June 28, 2016

Streetwise Radio Black Music Month Exclusive—Veterans and Rising Stars Illuminate Grammy Pro Songwriters Summit in Oakland, CA

By Shelah Moody
This spring, veteran artist D’Wayne Wiggins and rising stars Kirby Maurier, Fantastic Negrito and Kevaun “Kevo” Williams led an evening panel discussion at the Uptown nightclub in Oakland, CA. The Grammy Pro Songwriters Summit, held on May 12, was presented by the San Francisco Chapter of the Recording Academy.
Four of the music industry’s most influential black artists performed, also spoke candidly about their experiences in the music industry and offered advice on both the creative and music ends of the business.
Chart topping singer/songwriter musician D’Wayne Wiggins of the R&B group Tony! Toni! Tone!, opened the panel with an acoustic guitar performance of one of his favorite R&B classics, William DeVaugn’s “Be Thankful for What You Got.” As the “OG” and moderator of the panel, Wiggins said he plays “Be Thankful” to this day because of its unforgettable hook: “Diamond in the back, sunroof top, diggin’ the scene with a gangsta lean.”
Along with producing hits such as “Feels Good,” “Anniversary” “Lay Your Head On My Pillow” (inspired by the Spinners) and “Let’s Get Down” ( for Tony! Toni! Tone!, in the 1990s, Wiggins helped establish Oakland as a music mecca, producing hits for Beyonce and Destiny’s Child, Alicia Keys and Keyshia Cole to name a few on his Oakland-based Grassroots Entertainment, which he runs out of his recording studio, House of Music.
Guitarist Kevaun Williams and SF Recording Academy Chapter President Michael Winger

For this writer, the highlights of the Grammy Pro Songwriters Summit were the ebullient solos performed by Miami, FL based R&B singer/songwriter Kirby Maurier, accompanied by Jamaican guitarist Kevaun “KevoGitz” Williams on the Epiphone Lespaul Custom Pro.
A 2016 Grammy Amplifier winner, Maurier is the founder of the Miami Museum of Music and released her debut album “Doing the Most” on Valholla Entertainment. Propelled by William’s soulful guitar riffs, Maurier wowed the panel members and the audience with her original love songs “I’m Just Sayin,” and “Paradise,” ( which she originally wrote for another artist.
Inspired by the “Gimme that Uh!!!” hook in “Paradise,” Wiggins mused at the double entendre. Fantastic Negrito proclaimed that he has an “Uh!!” and knows how to use it.” (Seriously, you can’t make this sh_t up!
I first saw Oakland local Xavier Dphrepaulezz perform about 20 years ago as leader of black alternative group called Death from Sex at the DNA Lounge in San Francisco. Now reinvented as a semi-superhero, Fantastic Negrito, he describes his genre as black roots music—a mixture of R&B, blues and alternative. Fantastic Negrito described the highs and lows of his career as an indie artist, including a car accident which resulted in three weeks in a coma, a brief period running a ganja farm and mismanagement and neglect by his former record label.

Fantastic Negrito

Fantastic Negrito performed his wildly popular compositions, “An Honest Man,” and a song exploring the downside of relationships with an unforgettable hook, “Bitch Eat My Cancer.” (
Indeed, it was an honor for 26-year-old Kevaun Williams to perform with Maurier at the Grammy Pro Songwriters Summits in Oakland and Los Angeles. A graduate of Kingston’s prestigious Edna Manley College of Visual and Performing Arts, Williams played on Morgan Heritage’s 2015 album “Strictly Roots,” which won the Grammy for Best Reggae Album. This summer, he will tour with chart topping Jamaican vocalist Etana, and the tour will include a performance at the 2016 Sierra Nevada World Music Festival.
Both Wiggins and Fantastic Negrito praised the natural and firey chemistry between Williams and Maurier as a duo.
“It's funny, because two years ago, Kirby and her team had an open audition where my band auditioned and we were selected, “said Williams. “Two years later, she contacted me to work with her on the Grammy Pro Songwriters Summit Showcase which was my first show with her. I like working with Kirby and her team because they're super cool, down to earth and I believe they have the right approach to this business and I share the same sentiment also. And, of course the chemistry on stage is FIRE!!”
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Saturday, June 18, 2016

Sierra Nevada World Music Festival 2016 And Streetwise Radio Will Be There.

Follow the Streetwise Radio Team at the Sierra Nevada World Music Festival At Boonville ,California this weekend.
Check our Facebook Page for pictures and videos coming live from the Mendocino Fairgrounds.We will be Broadcasting on Ustream Live throughout the weekend. Check the Ustream button on our interactive player.Check Out Shaggy at the 2014 SNWMF on our On demand Channel. You will find clips on our interactive player.

Saturday, June 11, 2016

Keeping up with the Skint-Ashians:

The U.K.’s Reggae/Punk Band Skints at California Roots Festival;By Shelah Moody

Who: Tastemaker Live & King of Kings Reggae present the Skints with 2015 Grammy winners Morgan Heritage, Jamere & Laza Morgan, Saane & Delight, Mellow Movement, King I-Vier, DJ Green B, 1 Blood, hosts Spliff Skankin and Show Nuff Entertainment Deecee's Soul Shakedown.

When: Sunday June 12, 8 p.m.

Where: 1015 Folsom Dance Club, San Francisco, CA

The Skints have a lot to celebrate this year. Since I first interviewed them at the 2015 California Roots Festival, the innovative, east London reggae/punk band embarked on an international tour in support of their latest album, “FM” on Easy Star records. They’ve hit the European festival circuit this year and in the U.S., they’ve opened for the likes of southern California roots band Tribal Seeds and Grammy winners Stephen “Ragga” Marley and Morgan Heritage.
The Skints’ sound is a fusion of roots reggae, dancehall, dub, R&B, punk and garage. “FM” has been described as a fitting tribute to the diverse radio culture in the UK that influenced them.
During Memorial Day weekend, (May 27-29), the Skints returned to the wildly popular California Roots festival, held at Monterey County Fairgrounds.
I caught up with the Skints-Marcia Richards (keyboards, melodica, vocals), Josh Waters Rudge (lead guitar, vocals), Jamie Kryiakides (drums, vocals) and John Doyle (bass) in the media lounge after their high energy performance on Saturday afternoon. I asked the Skints, who played the smaller OG stage at Caliroots last year, how it felt to be “upgraded” to the Bowl—the main stage-- which exposed them to a wider audience. Josh said that the upgrade felt “quite luxurious” and an added perk was having a posh dressing room across from Stephen and Damian Marley and the VIP Lounge.

The Skints’ one-hour set in the Caliroots Bowl, thick with smoke from at least 10 strains of sensimilla, consisted of original songs such as “Cost of Living,” “Culture Vulture,” “Rat-A-Tat,” “Laser Beam,” “Forest for the Trees” and “Eyes in the Back of My Head.” Given the Skints’ tight rapport with each other and the audience and their collective quick British wit, I asked them if they’ve considered a venturing into reality television.
“This is the first time anyone has seriously mentioned it,” said Josh. “Keeping up with the Skint-ashians… We should look into it.”
The Skints are advocates of live music and serious instrumentation. Marcia’s ebullient melodica solos are one of the highlights of a Skints show.
“When you play the piano, you can play the melodica,” Marcia explained. “It’s a direct mix between the flute and the piano, which are my two main instruments. I’m very influenced by Augustus Pablo. We used to listen to him in the car when we were driving to shows.”
In closing, I asked each member of the Skints to sum up the California Roots festival experience in a few words.
“It is the most friendly and warm place, both in weather and the vibe,” said Marcia. “These are some of the nicest members of the audience I’ve met during my career.”
“Glorious sunshine,” said Josh.
“Free edibles,” said Jamie.
John chose to be ambiguous in his response. “Sexuality!”

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Thursday, May 26, 2016

Streetwise Radio Now On TuneIn

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Monday, May 16, 2016

L.A. Loves Prince Tribute Photos by Shelah Moody and Denise Robertson


It was a funky, purple party for one of the greatest artists of all time.
How do you celebrate a force that was aural and visual, who was singer, songwriter, musician and dancer, who was preacher, pimp and philanthropist?
On May 6, the City of Los Angeles presented a star studded, free concert at City Hall in honor of Prince Rogers Nelson, who was found dead in an elevator at his Paisley Park home in Chanhassen, Minn. at age 57. Another legend gone too soon. The multiple Grammy and Oscar winner left behind generations of fans who will have to learn how to cope with life after Prince. While the exact cause of Prince’s death is being determined, Prince’s fans continue to celebrate his life and party, in his honor, like it’s 2099.
When Prince’s death was announced on April 21, CNN devoted an entire day of coverage to remarkable life. Public buildings in cities across the country, including Los Angeles San Francisco, New Orleans and Minneapolis, Prince’s birthplace, lit up purple.
“Prince loved L.A. and L.A. loves Prince,” said activist Najee Ali, one of the organizers of “Prince Loves L.A.”
This was Prince’s second home. He spent a lot of time here; in fact, the video for his hit song, “Diamonds and Pearls” was shot right behind us, in City Hall. Prince was cremated so soon that L.A. fans didn’t have a chance to have closure; to say goodbye. Prince deserves a proper goodbye, so we decided to have a great, free concert for all of the Prince fans.”
Downtown Los Angeles was ablaze with color on the day of the celebration, and the trees surrounding City Hall rained purple blossoms. As fans queued outside City Hall, pop up vendors hawked bootlegged Prince R.I.P. T-shirts, hats, commemorative buttons, ribbons, music and other memorabilia from duffle bags. Seven-year-old Amari Evers, one of Prince’s youngest fans and a “retired” Prince impersonator, showed up in his purple/paisley best and his new haircut with the Prince/love symbol shaved into it.
                                                          Amari Evers

One fan known as Cody the Funky White Boy said he’s seen Prince perform more than 100 times and had the rare opportunity to hang out with His Royal Badness at Paisley Park. I asked Cody a burning question, what did Prince smell like?
“He wore a floral scent; he smelled like flowers,” said Cody. “He was the sweetest, funniest dude. One night, after a concert, he even invited me to his house. I got to watch that night’s concert with him, and he was critiquing himself, and cracking jokes. It was amazing. We stayed up until 8:00 in the morning. ”
On the steps of LA City Hall, civic leaders, spiritual leaders, glitterati and artists who had worked with Prince over four decades paid tribute to the Purple One.
“I didn’t know Prince, but I met him,” said Ali. “He had a great heart and a great spirit, and I know for a fact that Prince was not just a musician, he was an activist. Prince believed that black lives matter. That’s why he donated, that’s why he gave to a lot of causes to support our community, but he gave quietly. Whether one person or a million people show up today, the fact is, Prince is a legacy that will be unequalled. His music will last forever. I’m just grateful to see so many fans out today. We’re gonna have a big party and have fun. I know that right now, Michael Jackson, Prince, James Brown, Luther Vandross, Whitney Houston, Marvin Gaye, Tupac and so many others are jammin’ in heaven right now.”
DJ R-TISTIC, revved up the crowd with Prince’s greatest hits such as “Let’s Go Crazy,” “1999,” “Raspberry Beret” “Sexy MF” and “Glamorous Life,” which Prince produced for his superstar protégée, percussionist Sheila E. Emcee Tammi Mac of Radio Free 102.3 KJLH FM showed the audience how to do the “Bird” dance, inspired by the eighties hit recorded by Prince protégées Morris Day and the Time. Even the sign language interpreters had fun interpreting songs like “I Feel for You” while dancing at the same time.
Michael Bernard Beckwith, New Thought minister, author, and founder of the Agape International Spiritual Center in Culver City, CA, blessed the stage and called for a moment of silence for Prince.
Let us think, just for a moment about all of the sweet memories that Prince gave us,” said Beckwith. “Think about the inspiration; think about the creativity, the celebration of life. Think about the philanthropy, the activism. Be aware that all of those spiritual qualities never were born and will never die. They continue to unfold in a great and mighty way. Prince was a man who left nothing on the playing field, who gave us everything he had, who lifted us up into the stratosphere of celebration so that we could ‘go crazy’ for God.
                                                     Morris Hayes

                                           Marva King , Maya and Nandy

Backed by members of Prince’s New Power Generation Band, including keyboardists Cassandra O’Neal and Morris Hayes, an incredible and musically diverse line up of guests artists honored Prince in song. Eric Benet performed Prince’s 1970s breakthrough song, “Wanna Be Your Lover.” Rahsaan Patterson performed “Pop Life,” and Deitrick Haddon performed “Raspberry Beret” and “I Would Die 4 U.” Faith Evans performed “I Feel for You” which became a hit for Chaka Khan in the eighties. Afro-ed vocalist Marva King performed “Kiss” accompanied by Prince twin dance sensations from Australia, Maya and Nandy McClean. One of the best vocal performances of the evening was delivered by singer/songwriter BJ the Chicago Kid, who sang a fiery sensual falsetto version of Prince’s ballad, “Do Me Baby.”

                                                       Cassandra O'Neal

                                                          Aloe Blacc

Singer/ activist Aloe Blacc received a 2015 Grammy nomination Best R&B Album for “Lift Your Spirit,” and is perhaps best known for his international hit, “The Man.” Wearing a purple velour jacket, Blacc honored Prince with his version of “Diamonds and Pearls.”
“Prince is such an important piece of the fabric of music,” said Blacc. “Historically, he was one of the most brilliant musicians, one of the most brilliant songwriters, one of the best entertainers you can imagine. We will never forget what Prince has given us. Because of what he was able to do and the footsteps he walked, doors opened for artists like myself, who can now stand on stage and share with you the music that I create. Prince is “The Man.”

As evening segued into night and after several white doves were released at City Hall to the tune of Prince’s “When Doves Cry,” the crowd’s excitement built in anticipation of a surprise guest. The crowd roared when another icon and creative force, Stevie Wonder, emerged on the stage, leading the band in an all rendition of Prince’s theme song, “Purple Rain.” Incidentally, Wonder is also the owner of one of the event’s sponsors, Radio Free 102.3 KJLH FM. Ironically, Wonder was called upon to sing at the funerals of Michael Jackson, Whitney Houston and Natalie Cole in the span of less than a decade. In an interview with Larry King, Prince cited Stevie Wonder as one of his greatest inspirations.
Wonder thanked the city leaders, artists and fans for coming together to celebrate the life of one of the greatest artists in history.

 “What a celebration, what an incredible life—the music, the legacy that he gave us,” Wonder said from the stage. “I think the only thing we can do, in the spirit of Prince, is to truly love one another and come together. We can’t just talk about it; we’ve got to be about it.”